From 1999 to 2004-ish, I was one of the contributing writers for Garrison Keillor's renowned radio show "A Prairie Companion." I learned a lot of things there, mostly how to spell 'prairie." It was a solid gig and I'm proud of my work there. But, like any other job, there were...things...
Another sketch from the slush pile. I had written this earlier for a workshop and enjoyed it. I noted in my journal that I was prepping it and two European-theme sketches for PHC, as they were going to to a couple of shows from Germany. The sketch was a Siskel & Ebert set-up, but I was really mocking Rex Reed, a NYC film critic of the time. I didn't care for him. He spend entirely too much time and effort denouncing Blake Edwards' films every time a Pink Panther movie came up. I loved the Pink Panther movies so I always wondered what bug was sticking up Reed's rear-end.
I re-worked the to be audio (of course, but it was very dialogue heavy to begin with). I recast the roles to allow the PHC players to each take a part and then I had the set-up simply be, as GK often did, a segment on the show. "Titanic Panic" is a title from a prose piece I did pitching new Titanic sequels. In retrospect, this has WAY too many pop culture references in it, in addition to being a parody of a TV show, to really be considered for the show. And I was too lazy to keep updating it to submit elsewhere. But I always loved the ending. I felt like I put my BFA in Cinema Studies to good use.
I re-worked the to be audio (of course, but it was very dialogue heavy to begin with). I recast the roles to allow the PHC players to each take a part and then I had the set-up simply be, as GK often did, a segment on the show. "Titanic Panic" is a title from a prose piece I did pitching new Titanic sequels. In retrospect, this has WAY too many pop culture references in it, in addition to being a parody of a TV show, to really be considered for the show. And I was too lazy to keep updating it to submit elsewhere. But I always loved the ending. I felt like I put my BFA in Cinema Studies to good use.
