|Dan Fiorella: Writer @ large||
After the Dukakis episode, I would keep bumping into people who "could do things for me." Around 1995, there was one guy, Ralph Cooper, very slick producer-ish guy who fell in love with my Nick Flebber Christmas script. He was convinced it could be a TV show and had me re-write it up to pitch as such. He was really an advocate of my material. He was also trying to build up his stature in my eyes. I don't know why, but he really was trying to convince him he had the juice, that we were always just thisclose to making things happen. At the time he was hustling a script for a movie called "Hugo Pool."
S.N.NULL #1 - The Dukakis Episode
I've been reading the updated version of "Live From New York: The Complete, Uncensored History of Saturday Night Live as Told by Its Stars, Writers, and Guests." I read the first edition years ago, around the time of the 25th anniversary of the show. I've come to the conclusion that I really need to stop reading about the show, about how it works, about how the writers are picked, about the whole thing. I need to stop reading the stories of the zaniness of being backstage or the thrill of seeing your work broadcast live to the nation. I just need to stop. I used to read everything about SNL when I was younger. Because that was the dream I thought I could attain. Now I read it and know that the dream has withered away. But I tried...
(I've written about my brushes with SNL before, but since no one really reads blogs, I'm doing it again.)
Freelance writer, still hacking away.