CB: Cut! Cut!
CB: You call that a performance? That was terrible! What was that? No emotion! No feeling!
KT: Well, excuse me. Look at what I have to work with. This script is tripe!
CB: Get me the writer!
(several voices in distance yell "get the writer")
WR: Yeah, CB?
KT: This script is terrible!
WR: Terrible! I sweated blood over that script! There's nothing wrong with this script!
KT: My character would never say this!
WR: Of course she would!
WR: Because that's the way I wrote it!
KT: You insolent pig!
WR: I don't have to take this, CB.
CB: Katherine, I love what he's done with this script. I really don't want to have to choose between you and the script.
KT: Well, choose you must!
CB: You're off the project, Katherine.
KT: Well! I never!
(footsteps, door slam)
CB: Get Liza up here, pronto!
(voices: "Get Liza!")
LZ: Yes, CB?
CB: You know the pages?
LZ: You bet, CB!
CB: Liza, you're a trouper! Now, here's the scene; You want to be welcoming, helpful. You don't know who these people are but you need that information.
LZ: Got it, CB.
CB: Ready on the set?
CB: Quiet on the set!
(voices repeat: "Quiet on the set!")
LZ: Hi, this is Liza McNealy-
CB: And this is Charlie McNealy-
BOTH: And we're the McNealys!
LZ: We're not at home right now.
CB: So please leave a message after the tone.