From 1999 to 2004-ish, I was one of the contributing writers for Garrison Keillor's renowned radio show "A Prairie Companion." I learned a lot of things there, mostly how to spell 'prairie." It was a solid gig and I'm proud of my work there. But, like any other job, there were...things...
Okay, so here's the deal. While messing around on my computer, I stumbled across some of my older Prairie Home sketches! There's a few unused skits prior to December 1999 and I found the sketches from the year 2000 of the 1999-2000 season. Go figure.
One of the bits I found was a rejected skit I submitted in April 2000. As you are aware, PHC was first and foremost a radio show, a theater of the mind. And the cast and crew played mightily in that arena. Garrison Keillor would do entire sketches just about sound effects to give their sound effects guy, the late, great Tom Keith, a chance to shine. They were quite whimsical and silly. I found myself drawn to them and would write several of them, none of which made it to air.
Around this time, the big TV show was "Who Wants to Be A Millionaire" and there were weird game show rip-offs like "Who Wants to Marry a Millionaire." That was my inspiration. I remember emailing the producer to ask if Tom Keith was married, because the ending tag kinda revolved on that fact, his wife demanding to know what was going on. I was told Keith wasn't married and dropped that part. Since the show was broadcasting from Town Hall in New York City, I gave it a New York flavor---which explains the Trump reference. As happy as I was with the piece, the fact is, I violated the first rule of writing for Keillor; I based the skit on pop culture, a TV show. He wouldn't get it.
As my motto is "Never throw anything out," I held on to those radio bits. Many years later, the Writers Guild of America, East, began a program to try and get radio dramas back on the air. They cut a deal with the local radio station, WNYC, and produced a number of episodes of a show called "Anything Goes." I pulled out and submitted some of my radio-intensive sketches rejected from PHC and a couple of them were produced for this new show during the summer of 2005.
I wasn't thrilled with the results. There's no sense of fun, the comic timing is off and there's no studio audience, so it's a bit ponderous as opposed to absurd. Oh, well. We'll file this under "What might have been." But I recorded it and I'm posting it here.
I've included the original script from the PHC version beneath.
One of the bits I found was a rejected skit I submitted in April 2000. As you are aware, PHC was first and foremost a radio show, a theater of the mind. And the cast and crew played mightily in that arena. Garrison Keillor would do entire sketches just about sound effects to give their sound effects guy, the late, great Tom Keith, a chance to shine. They were quite whimsical and silly. I found myself drawn to them and would write several of them, none of which made it to air.
Around this time, the big TV show was "Who Wants to Be A Millionaire" and there were weird game show rip-offs like "Who Wants to Marry a Millionaire." That was my inspiration. I remember emailing the producer to ask if Tom Keith was married, because the ending tag kinda revolved on that fact, his wife demanding to know what was going on. I was told Keith wasn't married and dropped that part. Since the show was broadcasting from Town Hall in New York City, I gave it a New York flavor---which explains the Trump reference. As happy as I was with the piece, the fact is, I violated the first rule of writing for Keillor; I based the skit on pop culture, a TV show. He wouldn't get it.
As my motto is "Never throw anything out," I held on to those radio bits. Many years later, the Writers Guild of America, East, began a program to try and get radio dramas back on the air. They cut a deal with the local radio station, WNYC, and produced a number of episodes of a show called "Anything Goes." I pulled out and submitted some of my radio-intensive sketches rejected from PHC and a couple of them were produced for this new show during the summer of 2005.
I wasn't thrilled with the results. There's no sense of fun, the comic timing is off and there's no studio audience, so it's a bit ponderous as opposed to absurd. Oh, well. We'll file this under "What might have been." But I recorded it and I'm posting it here.
I've included the original script from the PHC version beneath.
