
![]() Back in the aughts, Cracked magazine was owned by the same company as the Weekly World News. During the rocky final years of Cracked, our editor, in an attempt to give the writers a pay check, had us contribute articles to WWN ("the humor magazine that nobody knows is a humor magazine.") It took me a while to get the hang of the paper but soon I was working on some straight forward fake news stories. Another article I can't believed they used. Once again, I was digging into my old files and found several sketches and bits about bad restaurants (as well as toys, candy, rollercoasters). There might have been one or two to get me started, but the material is mostly original for the article, except for the closing Fast Food restaurant gag, which I had kicking around for a while. Jerome Howard was able to make it work (and frankly, publishing a weekly fake newspaper ate up a lot of content).
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![]() Weekly Humorist, a humor magazine I often submit to and occasionally get in, runs these Hashtag Games on Twitter (X), where they name a topic and we submit humorous responses. These games play right into my gag reflex, so I always throw up something. I've taken to setting my calendar to get online every Wednesday to "play" (and by "play" I mean submit content to their website for free--I like to think of it as pun bono work). I always submit a bunch of them on X (Twitter) and some of them get selected for inclusion to their online site. I skipped last week. I didn't care for the topic and wasn't in the mood to work blue. I'll get dark, I'll get mean, I'll get punny and silly, but doing blue material still rubs me the wrong way. I'm a prude like that and very tightly wound. But this week I went all in. The crowd seems to be thinning. I don't see a lot of retweeting. There's one participant who posts the hashtags, but the account is set up so you can't like or retweet any of them (not that they are that good). I managed a couple before I was forced to resort to a website to list the actual names of pastries. Because I just call everything "pastries." I got some good ones picked. They ignored my bad ones. They even included my favorite (S'ores) which actually came up late in the session. Ten included in all. I keep hoping this will make them more reception to my prose pieces (still very hit & miss). Anyway, check out:
![]() From 1999 to 2004-ish, I was one of the contributing writers for Garrison Keillor's renowned radio show "A Prairie Home Companion." I learned a lot of things there, mostly how to spell 'prairie." It was a solid gig and I'm proud of my work there. But, like any other job, there were...things... Today, it seems like a joke all over the internet, but back in 2006? Not so much. In preparation for the upcoming Cinco de Mayo celebration, I wrote a quick comedy commercial for the perfect May time product. It's a quick pun, but I managed to take a favorite line that was kicking around in the comedy world back then "It's like a party in my mouth" if something tasted good and do a south-of-the-border twist on it. It's a fun, quick bit and I think about it every year at this time. I actually posted it here back in 2019, to mark a May 5th, to break up the May 4th memes. And a bonus expensive gasoline and open borders joke from 2006! The more things change! Cinco de Mayonnaise![]() Back in the aughts, Cracked magazine was owned by the same company as the Weekly World News. During the rocky final years of Cracked, our editor, in an attempt to give the writers a pay check, had us contribute articles to WWN ("the humor magazine that nobody knows is a humor magazine.") It took me a while to get the hang of the paper but soon I was working on some straight forward fake news stories. One of my repeating obsessions was with Hollywood. Sure, they weren't buying my scripts, so there must be a reason, right? And the reason was "they were stupid." Whether I was writing sketches about colorization, stories about altering old movies, or just my takes on Hollywood rules, I constantly goof on Hollywood and the studio system. During the aughts, the studios were starting to fall apart. And was didn't fall away was absorbed by others. The last generation of 70s whiz kids who venerated Old Hollywood were starting to age out. Movies coming out covered the gambit from great to awful (which was always the case, but there were fewer movies, competing entertainment outlets and dwindling expendable income. My take was there had been an actual handbook to how to make great pictures and they lost it. Frankly, I didn't think this story would get bought. It was an amazingly light premise and a very niche topic but they bought it. I managed to marry the bit to one of their op-ed pieces and I think that helped.
Leave it to the Prose: Executive Order Declaration Concerning Bring Your Daughter to Work Day 20254/22/2025 I certainly have opinions about what was once called "Bring Your Daughter to Work Day." I understood the idea behind it, but I didn't quite get what me bringing my kid to the day job I hated was going to prove. I got my first piece in the NY Post on that very topic. The optics have changed over the years, but I still cringe at the thought of it, even though my kids have long since aged out of it and fortunately never got into my line of work.
But circumstances change but parody doesn't. I had a glimmer of an idea based on current events and it blossomed into this piece, now up at the Weekly Humorist. Enjoy! ![]() Back in the aughts, Cracked magazine was owned by the same company as the Weekly World News. During the rocky final years of Cracked, our editor, in an attempt to give the writers a pay check, had us contribute articles to WWN ("the humor magazine that nobody knows is a humor magazine.") It took me a while to get the hang of the paper but soon I was working on some straight forward fake news stories. This was part of a double-header for me. I had 2 articles in the Sept. 5, 05 issue. Once again, I was able to take a perfectly ridiculous idea, long before the idea of Grubhub was even a pixel of an idea. It's a sci-fi parody, combining The Fly, Star Trek transporters and an international arms dealer. I presented the idea as cutting edge technology, and did some solid counter-points and even mocked Wall Street to boot. It's a cute little story that hits a lot of bases.
![]() From 1999 to 2004-ish, I was one of the contributing writers for Garrison Keillor's renowned radio show "A Prairie Home Companion." I learned a lot of things there, mostly how to spell 'prairie." It was a solid gig and I'm proud of my work there. But, like any other job, there were...things... Here's me making fun of the dot.com bubble, by taking an idea I had, then grafting it onto a running character PHC had, Larry.com. Ebay was a big deal. Grubhub hadn't become a thing yet, but I wondered about how I could profit off of used-food. Eat-bay seemed like the perfect vehicle. Then I pull a big twist and have a second PHC regular show up! And then I goof on Napster for a minute. It's not a bad little sketch, considering how little I know about technology. And I'm actually surprised it's as long as it is for such a goofy idea. Eat-bay![]() So, we just started watching Abbott Elementary last month, streaming it until we got all caught up and are now watching it at its regularity scheduled time on ABC. As I've often pointed out here, I grew up on old movies and grew up loving the movies and shows of Abbott and Costello. So, naturally, anything with the name "Abbott" in the title is going to trigger me. The joke is the title. The trick was how to put it together. I don't have what you would call a big support group of creatives out in the 'burbs. But I remembered there were movie scenes of Abbott & Costello in class rooms. And I knew "7 times 13" would be included, even which version. TCM recently showed "Abbott & Costello in Hollywood," and that included a scene of Lou in a kid's classroom. So, it was off to Youtube to find the clips I would need. Naturally, I had written a narrator's script to lead from scene to scene. Then I pulled up the original "Abbott Elementary" trailer and it was just music, a few scenes with dialogue from the show and just some of the wilder physical bits. So that became my template. I created a logo on MS Paint, found the whole version of the show's theme song and enough of the A&C clips I knew I needed. I played around with the editing software, make all the new clips black and wide, panned and scanned the old slips, all to maintain the visuals and got to the point where I was happy with it. It's up on Youtube and I've been posting it on LinkedIn, FB and Twitter. And if you found your way here, check it out: ![]() Weekly Humorist, a humor magazine I often submit to and occasionally get in, runs these Hashtag Games on Twitter (X), where they name a topic and we submit humorous responses. These games play right into my gag reflex, so I always throw up something. I've taken to setting my calendar to get online every Wednesday to "play" (and by "play" I mean submit content to their website for free--I like to think of it as pun bono work). I always submit a bunch of them on X (Twitter) and some of them get selected for inclusion to their online site. This was an odd juxtaposition; mystery movies with the most disliked word in the English language. I got nine in. Almost as many as Weekly Humorist did. A lot of people have a very broad definition of what a mystery movie is, and I stretched it myself...I couldn't help it, Damp Yankees was sitting right there! I got a good number of them recognized. Although, frankly, I'm getting worried about the whole hashtag game thing. In the beginning, they used to brag how their hashtags were in the top place. I don't see that anymore. It seems to be the same group of Tweeters week in and out. It's a fun pastime and one of the few remaining hashtag games I see on Twitter these days.
![]() From 1999 to 2004-ish, I was one of the contributing writers for Garrison Keillor's renowned radio show "A Prairie Home Companion." I learned a lot of things there, mostly how to spell 'prairie." It was a solid gig and I'm proud of my work there. But, like any other job, there were...things... This was one of those ideas that kicked around in my head for a long time, waiting for a way to express itself. I submitted this for the April 8th show. Easter was April 16th, and Greek Easter was April 23. There would be no show on Easter weekend, so I had to send it for the 8th. It's a quick, silly bit and I thought I had properly couched in in standard PHC form but it didn't pass muster. Man, checking the calendar, both Easter and Greek Easter fall on the same date, April 20th, so I can't even repurpose it for another year. Drat. Eastern Orthodox Easter |
Dan FiorellaFreelance writer, still hacking away. Archives
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